By Stephen R. Bown

ISBN-10: 1553659090

ISBN-13: 9781553659099

In 1494, award-winning writer Stephen R. Bown tells the untold tale of the explosive feud among monarchs, clergy, and explorers that break up the globe among Spain and Portugal and made the world’s oceans a battleground.

When Columbus triumphantly back from the USA to Spain in 1493, his discoveries infected an already-smouldering clash among Spain’s well known monarchs, Ferdinand and Isabella, and Portugal’s João II. Which kingdom was once to regulate the world’s oceans? To quell the argument, Pope Alexander VI—the infamous Rodrigo Borgia—issued a proclamation laying the root for the Treaty of Tordesillas of 1494, an edict that created an imaginary line within the Atlantic Ocean dividing the full identified (and unknown) global among Spain and Portugal.

Just because the world’s oceans have been approximately to be opened via Columbus’s epochal voyage, the treaty sought to restrict the seas to those favorite Catholic international locations. The edict used to be to have a profound effect on global background: it propelled Spain and Portugal to superpower prestige, prompt many different eu international locations on a collision direction, and have become the vital criticism in centuries of foreign espionage, piracy, and warfare.

The treaty additionally started the struggle for “the freedom of the seas”—the epic fight to figure out no matter if the world’s oceans, and hence international trade, will be managed by means of the decree of an autocrat or be open to the ships of any nation—a highly sleek idea, championed within the early 17th century via the Dutch felony theorist Hugo Grotius, whose arguments turned the basis of overseas law.
At the center of 1 of the best foreign diplomatic and political agreements of the final 5 centuries have been the strained relationships and passions of a handful of robust members. They have been associated by way of a shared historical past, mutual animosity, and private obligations—quarrels, rivalries, and hatreds that dated again many years. but the fight eventually stemmed from a tender woman’s decision to defy culture and the king, and to decide on her personal husband.

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Extra resources for 1494: How a Family Feud in Medieval Spain Divided the World in Half

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Paul McCartney's Homer violin bass provided a distinctive visual image, even if its naturally dull sound was further masked by primitive recording techniques in the first few albums. Although he'd played the instrument for only two months prior to the June 1961 Sheridan recordings, his arpeggiation-based ostinati and alternations of roots and fifths in dotted rhythm are among the qualities of those early tapes that point most clearly in the direction of the Beatles' own emerging sound. " McCartney continually expanded his techniques, particularly as he developed his ear for functional and contrapuntal relationships between lowest and highest registers.

His use of the Epiphone Texan acoustic guitar on "Yesterday" and elsewhere augmented the multiacoustic guitar texture that Lennon and Harrison cultivated many times on Help! and Rubber Soul After acquiring a Rickenbacker bass, McCartney provided an entirely new and limpid tonal foundation for Rubber Soul and later efforts. Here the instrument achieved remarkable melodic independence, largely because McCartney would often play piano or acoustic guitar for the basic tracks and then overdub the bass onto its own tape track.

Martin made a specialty of introductions and endings, which for many listeners were perhaps the most crucial moments of a two- to three-minute song. In the Beatles' first albums, little editing was required, but a disproportionate amount of that done was intended to perfect the first and last seconds of a recording. This attention is quite evident in the rudely spliced final chord to "Roll Over Beethoven," but most of Martin's cutting was much more artful. It may be true that the Beatles' later innovations in these functions, from the startling opening chord of "A Hard Day's Night" to the mysterious coda of "Strawberry Fields Forever," were direct results of Martin's strong encouragement to get these moments perfect in the very first products.

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1494: How a Family Feud in Medieval Spain Divided the World in Half by Stephen R. Bown


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